Mineral Intelligence and the Morality of Paint

Moral der Farbe: Erfurt Fen­steris a site-spe­­cif­ic paint­ed instal­la­tion that Robert Tombs cre­at­ed in April 2008 at glass­box in…

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très cher, très honoré et bien-aimé Père”

Danh Vo’s work defies author­ship or cat­e­gor­i­cal belong­ing. He finds iden­ti­ty in the gaps between words in any giv­en…

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NEVER-DYING WORM

The title of this exhi­bi­tion refers to a line in Mary Shelley’s nov­el Franken­stein: ​“I felt the nev­er-dying worm…

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Study for a Glass House

    The sense of space, and in the end, the sense of time, were both pow­er­ful­ly affect­ed. Build­ings,…

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The Brood

Enter­ing the gallery space, one is imme­di­ate­ly struck by the for­est green colour of the walls and a strange…

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Office Takes, Auditions, and Casting Couch

The injunc­tion, every­where, to ​‘be some­one’ main­tains the patho­log­i­cal state that makes this soci­ety nec­es­sary. The injunc­tion to be…

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Enlightenment

Between 1750 and 1850, there was a sud­den inter­est in the illic­it nature of porno­graph­ic rep­re­sen­ta­tion through­out Europe. One…

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A Bit Daft: Sorry But

The hair of the dog? To fight fire with fire? A spike with a spike, net­works with net­work­ing, insti­tu­tions with insti­tu­tion­alisms?…

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The Accursed Share

Mak­ing art is dif­fer­ent from oth­er forms of work. Some would ques­tion whether it is even work­ing at all.…

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Dusk’s rosy fingers locked in perpetuity

    If we could con­ceive in some warm lit­tle pond with all sorts of ammo­nia & phos­phor­ic salts,—light,…

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